A collaboration between two artists who work at opposite ends of field recording practice — Köner's urban industrial residue and Winderen's deep aquatic and arctic capture — Cloître finds an unexpected stillness where those worlds overlap. The title's monastic architecture seems to organize the sound: enclosed, reverberant, unhurried. Winderen's biological textures breathe beneath Köner's characteristically low, pressurized tones, creating something that feels simultaneously submerged and stone-cold. The pleasure is in that overlap: water and stone becoming hard to tell apart.