Rutger Zuydervelt's second collaboration with Danish choreographer Mette Ingvartsen draws its material from the performance it was created to accompany — bodies in motion translated into layered texture and restrained electronic pulse. The music sits in a productive tension between stillness and subtle agitation, with processed sounds that suggest physical presence without ever resolving into melody. Zuydervelt's characteristic micro-editing is here put in service of something almost tactile, each element placed with the precision his Machinefabriek work demands.