Keith Berry works in a register that feels cartographic — this 2011 release builds long, slowly morphing tones that suggest the experience of navigating space rather than simply occupying it. The title's precise, almost bureaucratic instruction sets the tone: there's a geometry here, a sense of measured distance and threshold. Berry layers filtered drones with subtle changes in texture, keeping the sense of distance in motion. Quietly disorienting in the best sense, it treats the act of orientation itself as an emotional condition.
appears in: study session