Jeph Jerman's long practice with found objects, natural materials, and the dissolution of conventional instrument logic shapes every moment here. Recorded with Tanner Menard, the album leaves generous gaps around small percussive events — scrapes, taps, resonant objects settling. The quiet gives each one its own little space to occupy. The duo's restraint is remarkable: nothing overstays, nothing announces itself. The gaps give you time to notice the grain of a scrape or the tail of a tap.