Two practitioners of near-silence find a remarkably natural common language here. France Jobin's sculptural approach to digital minimalism meets Richard Chartier's obsessive focus on threshold sounds — the tones that exist just at the edge of perception — and the two approaches blend until their edges become hard to place. Frequencies drift and barely-there textures accumulate slowly. In a quiet room, you can hear how much the position of a faint sound changes the space around it.
appears in: study session