Dean Hurley's second collection of archive material from David Lynch's Asymmetrical Studio draws heavily on the eerie functional music built for Twin Peaks: The Return — cues designed less to underscore scenes than to physically unsettle viewers. The textures here lean on analog synthesis, tape manipulation, and the kind of low-frequency hum that feels like it's coming from inside the building rather than the speakers. Hurley has an instinct for negative space, letting silence do structural work. A genuinely strange document from one of modern cinema's most distinctive sound environments.